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The Filmmaker LUT Pack is my personal go-to grade-pack when coloring footage shot on DSLR’s and cinema cameras. I built these LUTs over the last few years of intense color grading. I keep on tweaking them, so make sure to keep an eye out for your mailbox. Because if I change one of the LUTs, you’ll get the updated pack for free!

➥LUT Pack

The 10 LUTs all come in both Rec.709 and LOG variants, giving you a total of 20 different options to work with. Also, conversion LUTs for all major camera brands are included in the download to give you the maximum amount of flexibility when coloring your footage.



Before you can use the LUTs, you need to install them into your preferred editing software. To do this, I suggest you watch the following tutorials:

Once the LUTs are installed properly, you’re ready to roll!

A few things you should know before applying a LUT. All my LUTs come in two variants, LOG and Rec.709. Also, a conversion LUT pack is included to transform your footage from LOG to Rec.709. A LUT for the following camera brands are included:

  • Blackmagic Design Film
  • Sony Slog
  • Canon Log
  • Panasonic V-Log (use this input LUT for Fujifulm)
  • DJI Dlog-M

The best way to color your footage with LUTs is by following these steps:

  1. Input LUT (conversion from LOG to Rec.709)
  2. Exposure adjustment
  3. White balance adjustment
  4. Saturation adjustment
  5. Contrast
  6. Creative Rec.709 LUT (the one you bought)

This approach will give you the best most flexibility and best results. However, you can also use the LOG LUT to grade fast, this LUT contains all the adjustments named above. Of course, this will be a quick solution but you don’t get the amount of flexibility you would have using the Rec.709 LUT approach.

Grading is quite similar in Premiere, FCX, and Resolve. I suggest you search for basic color correction tutorials on YouTube to get you up to speed with color correcting your footage.

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Personal, Commercial, Extended


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