The Vintage Film LUT Pack is one of my personal favourite grades to use in recent projects. A lot of clients ask for a grainy, vintage-looking image which this LUT pack certainly provides. The 5 LUTs are all wildly different from one another to give you the most diversity.
➥LUT Pack
The 5 Vintage LUTs come in both Rec.709 and LOG variants, as well as in a LOW, MID and HIGH Luminance level. Giving you a total of 30 different possibilities. Also, conversion LUTs for all major camera brands are included in the download to give you the maximum amount of flexibility when colouring your footage.
➤ GOOD TO KNOW:
- The 5 Vintage Film LUTs are wrapped as .CUBE files
- Conversion LUTs for all major consumer camera brands are included
- Low, Mid and High luminance levels
- LOG and REC.709 variants for maximum control and full flexibility
- Grain pack for UHD timelines (regular, 200T, 500T and 3 personal options)
- Video tutorial to help you install the LUTs properly
- Excellent support
➤ HOW TO USE
Before you can use the LUTs, you need to install them into your preferred editing software. To do this, I suggest you watch the following tutorials:
Once the LUTs are installed properly, you’re ready to roll!
A few things you should know before applying a LUT. All my LUTs come in two variants, LOG and Rec.709. Also, a conversion LUT pack is included to transform your footage from LOG to Rec.709. A LUT for the following camera brands are included:
- Blackmagic Design Film GEN.4 (add more contrast for GEN.5)
- Sony Slog
- Canon Log
- Panasonic V-Log (use this input LUT for Fujifilm)
- DJI Dlog-M
The best way to color your footage with LUTs is by following these steps:
- Input LUT (conversion from LOG to Rec.709)
- Exposure adjustment
- White balance adjustment
- Saturation adjustment
- Contrast
- Creative Rec.709 LUT (the one you bought)
This approach will give you the best most flexibility and best results. However, you can also use the LOG LUT to grade fast, this LUT contains all the adjustments named above. Of course, this will be a quick solution but you don’t get the amount of flexibility you would have using the Rec.709 LUT approach.
Grading is quite similar in Premiere, FCX, and Resolve. I suggest you search for basic color correction tutorials on YouTube to get you up to speed with color correcting your footage.
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