Scanning Analog Film with the Epson Perfection V550 Photo Scanner

Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

Shooting film is always fun and seeing your work actually come out is even more of an amazing feeling, but breaking down the steps to get to your final product can be tedious and time consuming.

Whether it be developing, fixing, scanning, or conceiving a shot, there are no easy steps, and to have a really good outcome, you should know how all of the steps work and how variable components can affect your film.

Today we’re going to be looking at scanning film with the Epson Perfection V550 Photo Scanner and how you can produce high quality results with an affordable negative scanner. Watch the full video below:

All photos + resources © Moloney Creative Agency.

Epson Perfection V550 Photo Scanner

1 bScanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

This Epson photo scanner is a flatbed scanner with many incredible features for beginner and professional photographers. With 6400 dpi resolution, this scanner will be sure to produce high quality, crisp images whether you are scanning film, slides, negatives, photos, or your office documents.

Getting Started

Let’s get started by looking at how to load the film into your scanner and the display options.

2 Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade 120mm frames - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade copy

To start with scanning analog film slides, you’re going to want to cut your film strips into sections of 6 frames or less. After you’ve cut your frames into single slides or into sections of 6 or less, go ahead and grab your film negative holder and place your 35mm negatives in the slot labeled ‘A’ and line the place holder up with the ‘A’ on the flatbed.

35mm - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

If you are scanning 120m film, go ahead and proceed with the exact same steps, but instead, use the 120mm placeholder labeled ‘B.’

*120mm - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

When you insert your film into any placeholder for scanning, make sure that it is faced down and reversed so that the scanner can properly portray your frame. It is also a smart idea to purchase a scanner cleaning kit so that you are able to achieve the highest quality scans. This will help out a lot in cleaning off the screen so there are no hairs or dust on your scans.

Be sure to check out our tutorial for scanning Polaroids with the Epson V550 Perfection!

Cleaning Kit - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

When you are ready to scan, go ahead and press ‘Preview’ so you can see what your frames look like before scanning them with all of your settings. After you’ve gotten your negatives into the scanner, you also have a few options for viewing your scans and their previews.

You have the option to view them in ‘Thumbnail’ display or ‘Normal’ Display. Look below to see the difference.

35mm Negatives - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade *120mm Negatives - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

If you’d like to be able to see the film rebate on your scans, you also have the options to lay your film flat on the scanner without the placeholder. This will allow you to see the frame counter and scan the raw images.

Directly on Flatbed - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

The scanner will also come with a free Epson Scan Software that is perfect for making minimal adjustments and color corrections prior to scanning to ensure that everything will look clean when finished scanning.

Let’s take a look at the Epson Scan Software paired with the Epson Perfection V550 Photo Scanner.

Epson Scan Software

Mode

As you can see there are quite a few tools to help you get started with scanning your film, photos, or documents. Today we’re going to be looking at scanning film negatives, so let’s go ahead and select ‘Professional Mode‘ in the top box.

Professional Mode - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

Original

After that, go ahead and choose ‘Film‘ for the Document Type and then select ‘Color Negative Film‘, ‘B&W Negative Film‘, or ‘Positive Film‘ depending on what you are scanning.

Film - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade Color Negative Film - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

 

 

 

Destination

Next, under the destination tab you’ll need to set the image type, resolution, and document size.

If you are scanning color negative film, select ‘48-bit color‘ so that the scanner is able to pick up and produce all of the colors that were captured on your negative. If you are scanning Black and White film, select ‘16-bit grayscale‘ to let your scanner know that it should be picking up the grayscale of colors and not all colors.

48-bit Color - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade 16-bit Grayscale - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

 

 

 

 

After you’ve set the image type to pair with what you are scanning, you’ll need set your resolution. This is something that will be changed on a per-project basis depending on how high of a resolution you will need on your scan. The higher the resolution, the more crystal clear your image will be, but it will also take much longer so think about what resolution you need before scanning.

The same goes for your Document Size. It will always depend on your individual preference and what you will need to produce for the specific project you are working on. My basic, go-to document size is 1.76 x 1.90 in.

Adjustments

Now that you’re into the adjustments layer, you can really start to make some pre-scan enhancements.

Starting with the five boxes directly underneath ‘Adjustments‘, you are able to make some Photoshop-like adjustments prior to even scanning your slides. Many photographers may prefer to make their adjustments after scanning, but making the changes beforehand can save you a ton of time in the long run.

The Density Tool (1st box) can be checked on or off in order to help with your clarity density. If you select this prior to scanning, you will see more of a dense effect on your image, providing more of a bold color scheme.

Density - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

The Histogram Adjustment Tool (2nd box) will help you to adjust the levels on your highlights and shadows to make sure that you can see all of the tones and colors you were aiming to capture. To make some small fixes move the left/right sliders to play with the lighting on your slide. Doing this can make your image brighter/happier or darker/grungier.

Histogram Tool - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

The Tone Curve Tool (3rd box) can be a big help in fixing your color scheme and your tones. Adjust this in a positive or negative manner to effect for your photo as you see fit. Increasing the tones will make it brighter and airier, whereas decreasing them can add clarity and mood.

Tone Curve Tool - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

The Image Adjustment Tool (4th box) is perfect for all of your basic adjustments with brightness, contrast, saturation, and color balance. For anyone looking to clean up their photos with one main tool, this is that tool for you – brightness, contrast, saturation, and color balancing all in one tool.

Color Slider - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

To show you the effect that this tool can have on your scan, we went ahead and adjusted the color balance a few times – here are the results.

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1 Color Balance - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGradeColor Balance - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade2 Color Balance - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade4 Color Balance - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

The Color Palette Tool (fifth box) is another great tool if you need to make some major color adjustments. With this tool you can change the overall color of the image and give your photo a tint to portray a certain mood or feel.

Color Palette Tool - Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

Now that we’ve gone through all of the the boxes in the Adjustments tab, let’s take a look through the scanning adjustments as well.

Scanner Adjustments- Scanning Analog Film with the Epson Perfection V550 Photo Scanner - FilterGrade

Unsharp Mask‘ is the first amongst the scanning adjustments and is a masking tool that adds a sharpening effect and can be turned off/on, along with all of the others. Here is an example of the Unsharp Mask tool in effect.

Unsharp Mask- Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

The next is the ‘Grain Reduction‘ Tool which relatively self-explanatory in what it does, but in case you are unfamiliar, this tool does a great job of sharpening the image as a whole up and decreasing the grain throughout.

After that, you can check out the ‘Color Restoration‘ Tool which is great for adding a nice, bold touch to your color to make the image more vivid and bright.

The next tool is very similar to ‘Color Restoration’ and is great for brightening old, dark images or photos that may be underexposed. The ‘Backlight Correction’ Tool is another tool that is very helpful, but usually used for a certain type of image (dark, vintage, or old).

Backlight Correction - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

As you can see in the image above, the Backlight Correction tool helped to brighten and enhance this image that was a bit underexposed.

Lastly you have the ‘Dust Removal’ Tool and ‘Digital ICE Technology.’  These two are both ideal for getting rid of any hairs or dust that may have fallen on your negative. They will add quite a bit of time to your scanning process, but if you are ok with your scanner getting rid of these hairs, then you will save yourself a ton of time from having to manually do it in Photoshop.

The last step after seeing your previews is to finally hit ‘Scan.’ After you press scan, a box will appear. Here you can choose where you would like to save your scan, the name of your scan, and many other options. Once you have everything set to the way you would like it, go ahead and press scan!

Scan - Scanning Analog Film with the Epson Perfection v550 Photo Scanner - FilterGrade

We hope this tutorial helped you to get started with scanning your negatives and learning some new tips on how to get the best results while scanning film negatives! If you have any questions or are unsure on anything, feel free to leave us a comment and we’ll be sure to get back to you. :)

For more on analog photography, check out some of our other articles like:

 

 

10 Replies to “Scanning Analog Film with the Epson Perfection V550 Photo Scanner”

  1. Juli Servatius says:

    When working with the V550, do you ever get “Cannot communicate with Scanner” even though you actually CAN communicate with the scanner? Software upgrades don’t seem to help

    Also, do you find that doing the adjustments to the photo as you scan are significantly superior to doing image adjustments post production?

    1. Matt Moloney says:

      Occasionally I will receive this error message when I open the scanner software after disconnecting my computer from my scanner. Although this seems to be a common issue with the scanner, it should work perfectly fine if you close the software and re-open it while connected to your scanner.

      As for your second question – I find making adjustments in the scanner a necessity, but not superior to adjustments made in post-production. I tend to use the scanner tools and adjustments to help create a flat scan. After I have gotten the scan that I am looking for I will bring the image into post-production software (Photoshop, Lightroom, Capture One, etc…) to make all other adjustments.

  2. Mark says:

    I found your article in a Google search, after just hooking up my scanner for the first time in almost a year and running into major problems. Somehow Epson Scan turned from a usable tool into a nightmare during that period. Re-installing driver and software doesn’t help: The whole thing freezes right after rendering the previews. Completely unacceptable.

    Would you advise an alternative software utility?

    1. Matt Moloney says:

      Hey Mark, sorry to hear you’ve been having some troubles with your scanner. Unfortunately the best software that I’ve come across is the Epson Scan Software; however, if you are looking for third-party alternatives you could try out VueScan or SilverFast Scanner Software. Although I do not highly recommend them, they are an option.

      1. Chris says:

        Silver fast provided the best scans when I tried it and vuescan out compared to epson scan. Epson software was easiest to use though I loved silverfasts scan quality though the colors were amazing especially for Kodachrome which you can scan with silver fast it looks so vibrant as it should.

  3. Eugene says:

    How did yiu solve the “cropping issue” with the v550? I tried to set the image siE, but it didn’t make sense

  4. Kit says:

    I’m trying to use the Epson V700 right now and the software suuuuuuucks!! It’s way too basic and doesn’t feature any of the settings that are in your pictures. So annoyed right now.

  5. Ell says:

    Hi, Ive run into a problem recently with my scanned files (saved as Tiffs) the first few rolls i scanned came out totally fine and the image resolution was perfect. however recently ive noticed that my . scans are coming out at a low quality even though my setting are the same as yours. do you know what could be making this happen?

    1. Matt Moloney says:

      Hi Ell, so sorry to hear your problem! One solution that always works for me (especially when saving as tiffs) is to make sure your target size has a 2:3 ratio. This will ensure that the size of your image always remain in ration rather that distorting the image. If you try this solution and still run into trouble it could also be your resolution or document size. Hope this helps, good luck!

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