Personal, Commercial, Extended
A comprehensive, versatile collection for Lightroom and ACR featuring 27 presets (all with both clean and analog varieties) and 9 creative profiles, covering 3 classic Kodachrome emulsions. From the iconic colours of the 1940s A.S.A 10 emulsion to the clean, bright Kodachrome 25 and 64 looks that defined the 1960s onwards, I’ve tried to capture the spirit of one of the world’s most beloved – and dearly missed – colour films.
We can’t promise it’s perfect (emulating an un-developable film from old slides is like trying to figure out the anatomy of a cow with only a hamburger for reference), but we really do feel like it gets closer to that ‘Kodachrome look’ than anything else in the digital realm.
Presets are work tools too, of course, so we always make sure they get subtle enough to use for almost anything (though with the option of some wild, dirty looks when you want em). My aim is to have presets that look just real, well-scanned film, but can also be dialled back to add a subtle bit of mojo or cranked up to get a really stylised, over-the-top grade. We hope you find these both useful and inspiring. Created by Kyle May at getdigistock.com.
The granddaddy of colour films. 10ASA, with incredibly fine grain and sharpness. Used for everything from war propaganda to city snapshots, and with a beautiful, timeless tonality. my take on it is based mostly on high-res scans of 1940s images, which have a really distinctive look with warm orangey skintones, highly subdued greens, and often a crisp steely-blue cast to darker areas. I don’t really think I’ve ever seen an emulation of this emulsion but the presets work especially well for warming up vintagey street scenes and 30s/40s-styled photoshoots.
Released in 1961 as Kodachrome II , and in the mid-70s changed to Kodachrome 25 on the new K-14 process with new dyes and better sharpness, but we’ve bundled the two together here since they share a similar look. Timeless rich colours, insane detail, plenty of contrast – it’s an all-purpose film (though it shines most of all for outdoor scenes). I’ve found a lot of variety in how greens were represented with this film – sometimes foliage come out very warm and orangey, on other slides with a strong cyan colour like you see with a lot of negative films. I’ve tried to capture the full range of possibilities here:
The younger, faster brother. Originally released as Kodachrome-X with a faster ASA64 speed, and updated in the 1970s as Kodachrome 64 with the new K-14 process. Often unfairly represented as having a strong magenta/pink cast, perhaps due to its unforgiving nature with exposure. Beloved of documentary and portrait photographers, it arguably offers slightly more flattering skin tones than the ASA25 versions.
Each of the 3 film stocks comes with the following presets (except where mentioned), for a total of 27:
PS: A quick thanks to my late grandad John Gerard – a veteran of the D-Day landings and keen amateur photographer – for leaving behind a wonderful archive of Kodachrome slides from the 50s, 60s and 70s. I’ve spent many hours poring over these, scanning them and in some cases revisiting the same locations he shot, and that’s influenced my personal idea of the ‘Kodachrome look’. I hope I’ve done it justice!
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