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Canon EOS R5 R6 C-LOG To ARRI LOOK | RAW / CLOG LUTs
Canon EOS R5 R6 C-LOG To ARRI LOOK | RAW / CLOG LUTs
$29 $23
Video Demo
Hello Filmmakers!
In this package you will find 4 LUTs custom created by Static Motion.
It contains 4 LUTS for CLOG, CLOG2,CLOG3, Standart
I think is verry good starting point for your color grading
I tried to make the most film-like appearance while maintaining the characteristic roll-off and dynamic range. It maintains the skin’s natural color with a look that is known from arri alexa cameras. C_log is translated to ARRIS log_c color space and gamma.
It doesn’t require too much. I prepared it so that after aplying to footage recorded in a flat profile on your Canon camera. Standart, C_log, C-Log2, C_log3 – right away. You can add some contrast or saturation but it’s on your side. Canon R56Arri has saturated red and film blue and green shade.
Canon R56 Arri Lut
Standart Rec709
C-LOG
Remember to set correct settings while using RAW footage format.
These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve.
Sample footage credit goes to Moc Nguyen.
2 comments for Canon EOS R5 R6 C-LOG To ARRI LOOK | RAW / CLOG LUTs
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Ricard Raventos –
ReplyHello!
I understand this will come with 4 luts in 3 versions? For clog, clog 2 and clog3? Do you recommend setting to neutral tones os cinema eos ?Thanks!
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dan_lisevsky (publisher) –
ReplyHi,
It contains 4 LUTS for CLog, CLog2, Clog3, Standart.
I almost always decrease sharpness, contrast and saturation i rather do it on post in DaVinci Resolve or whatever your choice of software is.
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