Canon EOS R5 R6 C-LOG To ARRI LOOK | RAW / CLOG LUTs

Video Demo

Hello Filmmakers!

In this package you will find 4 LUTs custom created by Static Motion.

It contains 4 LUTS for CLOG, CLOG2,CLOG3, Standart

I think is verry good starting point for your color grading

I tried to make the most film-like appearance while maintaining the characteristic roll-off and dynamic range. It maintains the skin’s natural color with a look that is known from arri alexa cameras. C_log is translated to ARRIS log_c  color space and gamma.  

It doesn’t require too much. I prepared it so that after aplying to footage recorded in a flat profile on your Canon camera. Standart, C_log, C-Log2, C_log3  – right away. You can add some contrast or saturation but it’s on your side. Canon R56Arri  has saturated red and film blue and green shade. 

Canon R56 Arri Lut

Standart Rec709

C-LOG

Remember to set correct settings while using RAW footage format. 

These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve.

Sample footage credit goes to Moc Nguyen.