Hello Filmmakers! In this package you will find Canon to ARRI Film LUTs custom created by Static Motion.
I divided the look into 2 steps. 1. sensor matching -> 2. applying look , which gives even better highlight roll- off
Grab that look from here https://bit.ly/3rQ6BQS
HELP FILE IS INCLUDED!
It also works with your CANON C70 Cameras.
I think is very good starting point for your color grading.
LUTS are dedicated to Canon Cinema Gamut color space profiles.
KEEP IN MIND!!
Canon Log – is good when you have mixed footage and using your different Canon cameras.
Canon Log2 – has more noise than Clog and Clog3 but has more information in shadows and you can grade it havily.But output is almost identical.
Canon Log3 – is some kind of hybrid between clog and clog2, its more contrasty but has lot less noise in the shadows. Imo the most versatile and quicker tool.
I tried to make the most film-like appearance while maintaining the characteristic roll-off and dynamic range. It maintains the skin’s natural color with a look that is known from arri alexa cameras. C-log is translated to ARRI’s Log_c color space and gamma with new updated conversion LUT. You can take a look at the comparison bellow.
Canon R56 ARRI Lut
It doesn’t require too much.I prepared it so that after aplying to footage recorded in a flat profile on your Canon C70, R5, R6camera, C_log, C-Log2, C_log3 – right away. You can add some contrast or saturation but it’s on your side.Canon ARRI Film Look has saturated red and film blue and green shade.
Remember to set correct settings while using RAW footage format.
These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve.
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